brett whiteley self portrait 1975mark james actor love boat

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6-7, Sydney, 1981, 6, 25 (colour illus.). Weight photographed Whiteley throughout the 1970s. Self portrait in the studio, 1976. . corner, white oil "1975 brett whiteley". Tina McGuffie, Mornington Peninsula leader, 'In a haze of art', pg. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . Gregory Weight/Copyright Agency, 2022, Greg Weight The balcony 2 Brett Whiteley 1975 116.1981. ), 232. plate no. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. Why does he reference these artists in his self-portraits? [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. David Christian, 'At Lintas advertising agency, Sydney', c1956. This appeared in the `Arts' section of `The Australian Supplement'. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. . 3), 'Collecting international art', pg. Closed Good Friday & Christmas day ), 257 (colour illus., detail), 302. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . Michaela Boland., Weekend Australian, 'Master cards', pg. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). (1939-1992 ) Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. This article looks at art reflecting society. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. Do you feel welcomed or uncomfortable? Their only child, daughter Arkie Whiteley, was born in London in 1964. SELF-PORTRAIT, 1977 He is represented in the collections of all the large Australian . Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. 07 Apr 1939 BRETT WHITELEY. Closed Good Friday & Christmas day Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Humphrey McQueen, Art Monthly Australia, 'Positions vacant', pg. Brett Whiteley Self Portrait In The Studio Framed Print . How would the space be divided and what objects of inspiration would be around you? Typically, the viewer is led deeper into the picture by means of minute detail. He left Australia for Europe on 23 January 1960.[4]. 2), 'The Archibald Prize', pg. Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. Get the best deals on Brett Whiteley Art. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. Art Gallery of NSW. . Consider the gaze of Whiteley in each of these works. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. ), 6-7. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. 30.5 x 25.5 cm. Source: Art Gallery of New South Wales Archive. (1975), both from the collection of the Art Gallery of NSW. (Bibliographic reference no. In 1976 he became the first artist to win the Archibald and Sulman prizes in the same year; having won only the Wynne in 1977, in 1978 he became the first artist to win the Archibald, Wynne and Sulman prizes in the same year. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). 46. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). 7: BRETT WHITELEY, DAISIES, 1975 - 76. . But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). 28-29, Sydney, Mar 2012, 28, 29 (illus.). Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Birds and heroes people Brett Whiteley's art. The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. ), 81. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. No other Australian artist had such a wild, woolly set of curls. 1978 was the only year in which all three prizes have been won simultaneously by the same person. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). Jane Hampson, Look, 'wwwhiteley.com', pg. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). This approach was intended to allow Whiteley to speak "in his own words" about his life and art. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Scholarly publications with full text pdf download. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16. It premiered at the Sydney Opera House on 15 July 2019. One includes Australian artists John Olsen, and John Coburn examining Whiteley's Archibald prize-winning entry. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. I agree to terms and conditions. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. I think that the artwork is set in Brett Whiteley's studio The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. This work is such a significant piece it was an essential inclusion for the curator of this exhibition. Brett Whiteley - portrait 1 1975 Greg Weight. On one level TheCompanion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. By vintage wall art. Brett Whiteley: List of works - All Artworks by Date 110. This is flanked on one side by a baboon howling with anguish as a ghostly hand delivers it a syringe, and on the other a photograph of the artist looking serenely normal. [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. Email clairem@ag.nsw.gov.au. 87-118, Sydney, 1991, 115 (colour illus.). He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Deborah Bogle, The Australian, 'Art Movement', pg. Look at these paintings and examine how Whiteley has given us clues to his identity. Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. 13, no. His self-portrait was a bold, almost grotesque confessional. Consider the location, size and functions. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. . Untitled (Bird) Brett . Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. Brett Whiteley with Self Portrait in Studio 1976. Greg Weight (b. 44-45, Sydney, Jun 2012, 45 (colour illus.). However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. Brett said he had wanted it to scare himself straight. [1]. Philip McIntosh. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). No other artist left traces of his own locks on so many canvases. Alchemy is the mythical ancient process of turning ordinary compounds into gold. 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. Share on Facebook Share on Twitter. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Self Portrait in Studio Brett Whiteley 1976. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. Brett Whiteley painting - alchemy 1972-1973 Art Print. Kandinsky had a complex, theoretical understanding of the term, involving the artists personality, the context of their times, and the harmonious nature of a composition. Open daily Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. Provenance: private collection NSW (gift from the artist c.1975). Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. The exhibition includes 20 Whiteley works and traces the artist's life and career from his earliest painting Self Portrait at Sixteen, 1955 to just a few months before his death with Port Douglas, Far North Queensland 1992. Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. cat.no. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Free delivery and returns on eBay Plus items for Plus members. [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. Throughout his career, Whiteley would return again and again to the self-portrait, as a form of self-examination and self-dramatisation. The Version table provides details related to the release that this issue/RFE will be addressed. fig.no. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. . In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. They had borrowed the money, using their car as collateral. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Wave Brett Whiteley 115.1997. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Bill Gregory, Art and Australia (Vol. Resolved: Release in which this issue/RFE has been resolved. The artist destroyed this work after completion, finding it both disturbing and confronting. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. 15-41, London, 1995, 35-36, 145 (colour illus. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. The National Portrait Gallery respects the artistic and intellectual property rights of others. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). Brett Whiteley is photographed by Robert Walker at. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). There are two illustrations of `Self Portrait in the Studio' in this article. From $35.80. He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. TheCompanion is available to buy online and in the Portrait Gallery Store. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. And now perhaps just a bit taken with her own image', pg. He was the youngest living artist to have work purchased by the Tate, a record that still stands. Appearing in the 'Special Exhibiton' section. Collage these images together to create a portrait to display in class. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. It took a great deal of his time and effort, taking about a year of full-time work. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. An audio version released by Audible in 2016 was narrated by Mark Seymour. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. Leslie Hollings (Editor), The Australian, Sydney, 31 Mar 1979, (illus.). Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. 21, Port Melbourne, 2005, 21 (colour illus.). Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. This appeared in the `Arts' section of `The Australian Supplement'. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. List of winners. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. 7-106, Sydney, 1994, 80 (colour illus. Brett Whitely (Australian 1939-1992) Bio. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. 6-33, Brisbane, 2004, 22 (colour illus. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). 'Review' magazine. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. He soon settled in Lavender Bay. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Gift of Patrick Corrigan AM 2004. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. plate no. Free delivery and returns on eBay Plus items for Plus members. Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. Whiteley's daughter Arkie is photographed by Alan Pryke standing before his painting titled `Self portrait in the Studio'. Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. Self-portrait with reading specs, 1991. This website comprises and contains copyrighted materials and works. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). 105. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. 17, Melbourne, Feb 2001, 17 (colour illus.). Brett Whiteley. Barbara Konkolowicz, A different vision, Sydney, 1998. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. and their inevitable separation added to the artist's problems with substances and self-doubt. Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Its not the dark, edgy image of a celebrity, but the portrait of an artist. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.).

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